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How to Write a Rotten Poem with Almost No Effort,Richard Howey,Poetry appreciation,spring goeth all in white Robert Bridges spring goeth all in white, crowned with milk-white may; in fleecy flocks of light, oer heaven the white clouds stray; white butterflies in the air; white daisies prank the ground; the cherry and hoary pear, scatter their snow around.,春之女神着素装 罗伯特布里季 春之女神着素装 山楂花冠乳白光; 天上分明一群羊, 白云朵朵自来往; 粉蝶空中时蹁跹; 廷命菊花饰郊原; 樱桃梨树共争艳, 四处非花如雪片。,Poetry appreciation,She Walks in Beauty Byron She walks in beauty, like the night Of cloudless climes and starry skies; And all thats best of dark and bright Meet in her aspect and her eyes: Thus mellowd to that tender light Which heaven to gaudy day denies.,她走在美的光彩中 拜伦 她走在美的光彩中,象夜晚 皎洁无云而且繁星漫天; 明与暗的最美妙的色泽 在她的仪容和秋波里呈现: 耀目的白天只嫌光太强, 它比那光亮柔和而幽暗。,Poetry appreciation,One shade the more, one ray the less, Had half impaird the nameless grace Which waves in every raven tress, Or softly lightens oer her face; Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek, and oer that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!,增加或减少一份明与暗 就会损害这难言的美。 美波动在她乌黑的发上, 或者散布淡淡的光辉 在那脸庞,恬静的思绪 指明它的来处纯洁而珍贵。 呵,那额际,那鲜艳的面颊, 如此温和,平静,而又脉脉含情, 那迷人的微笑,那容颜的光彩, 都在说明一个善良的生命: 她的头脑安于世间的一切, 她的心充溢着真纯的爱情!,Famous English poems and poets,惠特曼草叶集 泰戈尔飞鸟集 维吉尔 贺拉斯 奥德赛 济慈,Structural analysis,Part 1: (1-3): introduction of the whole essay. The problem with poetry and the significance of its solution. Part 2: (4-9): the body of the essay How people can create a poem of their own. Part 3: (10-12): ending of the essay The author reiterates his intention and makes it clear that he is just joking by presenting such a method of creating a poem.,History of English Poetry,The Anglo-Norman period The renaissance in England The restoration and 18th century The romantic movement High Victorian poetry The 20th century( modernism),History of English Poetry,With the Norman conquest of England, beginning in 1111 the Anglo-Saxon language rapidly diminished as a written literary language. The new aristocracy spoke French, and this became the standard language of courts, parliament, and polite society. As the invaders integrated, their language and literature mingled with that of the natives: the French dialect of the upper classes became Anglo-Norman, and Anglo-Saxon underwent a gradual transition into Middle English. While Anglo-Norman or Latin was preferred for high culture, English literature by no means died out, and a number of important works illustrate the development of the language. Around the turn of the 13th century, Layamon wrote his Brut, based on Waces 12th century Anglo-Norman epic of the same name; Layamons language is recognisably Middle English, though his prosody shows a strong Anglo-Saxon influence remaining. Other transitional works were preserved as popular entertainment, including a variety of romances and lyrics. With time, the English language regained prestige, and in 1362 it replaced French and Latin in Parliament and courts of law.,History of English Poetry,The Renaissance was slow in coming to England, with the generally accepted start date being around 1509. It is also generally accepted that the English Renaissance extended until the Restoration in 1660. However, a number of factors had prepared the way for the introduction of the new learning long before this start date. A number of medieval poets had, as already noted, shown an interest in the ideas of Aristotle and the writings of European Renaissance precursors such as Dante. Three other factors in the establishment of the English Renaissance were the Reformation, Counter Reformation, and the opening of the era of English naval power and overseas exploration and expansion. The establishment of the Church of England in 1535 accelerated the process of questioning the Catholic world-view that had previously dominated intellectual and artistic life. At the same time, long-distance sea voyages helped provide the stimulus and information that underpinned a new understanding of the nature of the universe which resulted in the theories of Nicolaus Copernicus and Johannes Kepler.,History of English Poetry,It is perhaps ironic that Paradise Lost, a story of fallen pride, was the first major poem to appear in England after the Restoration. The court of Charles II had, in its years in France, learned a worldliness and sophistication that marked it as distinctively different from the monarchies that preceded the Republic. Even if Charles had wanted to reassert the divine right of kingship, the Protestantism and taste for power of the intervening years would have rendered it impossible. It is hardly surprising that the world of fashion and scepticism that emerged encouraged the art of satire. All the major poets of the period, Samuel Butler, John Dryden,
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