IngmarBergman 1918 2007 wasaSwedishdirector writerandproducerwhoworkedinfilm television andtheatre Heisrecognizedasoneofthemostaccomplishedandinfluentialauteursofalltime andismostfamousforfilmssuchasTheSeventhSeal 1957 WildStrawberries 1957 Persona 假面 1966 CriesandWhispers 1972 andFannyandAlexander 1982 Majorfilms PleasewritedownofcontentsexplanationforBusinessArea 私人谈话 空虚和无法呼吸 背信弃义 Saraband 野草莓 1957 芬妮与亚历山大 1982 呼喊与细语 1972 Hedirectedoversixtyfilmsanddocumentariesforcinematicreleaseandfortelevision mostofwhichhealsowrote Healsodirectedover170playsMostofhisfilmsweresetinhiscountry Hisworkoftendealtwithdeath illness faith betrayal bleaknessandinsanity TechniqueBergmanusuallywrotehisownscreenplays thinkingaboutthemformonthsoryearsbeforestartingtheactualprocessofwriting whichheviewedassomewhattedious Hisearlierfilmsarecarefullyconstructedandareeitherbasedonhisplaysorwrittenincollaborationwithotherauthors Ashiscareerprogressed Bergmanincreasinglylethisactorsimprovisetheirdialogue TechniqueInhislatestfilms hewrotejusttheideasinformingthesceneandallowedhisactorstodeterminetheexactdialogue Whenviewingdailyrushes Bergmanstressedtheimportanceofbeingcriticalbutunemotive claimingthatheaskedhimselfnotiftheworkisgreatorterrible butifitissufficientorifitneedstobereshot SubjectsBergman sfilmsusuallydealwithexistentialquestionsofmortality loneliness andreligiousfaith Whilethesetopicscouldseemcerebral sexualdesirefounditswaytotheforegroundofmostofhisfilms whetherthesettingwasamedievalplague TheSeventhSeal upper classfamilyactivityinearlytwentiethcenturyUppsala FannyandAlexander orcontemporaryalienation TheSilence SubjectsHisfemalecharactersareusuallymoreintouchwiththeirsexualitythanthemen andunafraidtoproclaimit sometimeswithbreathtakingovertness e g CriesandWhispers aswoulddefinetheworkof theconjurer asBergmancalledhimselfina1960TimeMagazinecoverstory InaninterviewwithPlayboyin1964 hesaid Themanifestationofsexisveryimportant andparticularlytome foraboveall Idon twanttomakemerelyintellectualfilms Iwantaudiencestofeel tosensemyfilms Thistomeismuchmoreimportantthantheirunderstandingthem Film Bergmansaid washisdemandingmistress 20世纪瑞典电影大师之一 将电影艺术带进深不可测的内心世界 用弗洛伊德的心理分析 丰富的视觉意象 闪回和极端特写等手法 展现心灵深处的憧憧幽影 以及人和上帝或人和死亡的关系 从50年代开始 作品接二连三荣获国际大奖 同所有杰出的大师一样 从不会让人失望 永远那么细腻 深刻 准确 发自肺腑地呼喊 呼喊爱