Ive been writing for most of my life. The book Writing Without Teachers introduced me to one distinction and one practice that has helped my writing processes tremendously. The distinction is between the creative mind and the critical mind. While you need to employ both to get to a finished result, they cannot work in parallel no matter how much we might like to think so.Trying to criticize writing on the fly is possibly the single greatest barrier to writing that most of us encounter. If you are listening to that 5th grade English teacher correct your grammar while you are trying to capture a fleeting (稍纵即逝的) thought, the thought will die. If you capture the fleeting thought and simply share it with the world in raw form, no one is likely to understand. You must learn to create first and then criticize if you want to make writing the tool for thinking that it is.The practice that can help you past your learned bad habits of trying to edit as you write is what Elbow calls “free writing.” In free writing, the objective is to get words down on paper non-stop, usually for 15-20 minutes. No stopping, no going back, no criticizing. The goal is to get the words flowing. As the words begin to flow, the ideas will come from the shadows and let themselves be captured on your notepad or your screen.Now you have raw materials that you can begin to work with using the critical mind that youve persuaded to sit on the side and watch quietly. Most likely, you will believe that this will take more time than you actually have and you will end up staring blankly at the pages as the deadline draws near.Instead of staring at a blank start filling it with words no matter how bad. Halfway through you available time, stop and rework your raw writing into something closer to finished product. Move back and forth until you run out of time and the final result will most likely be far better than your current practices.57. When the author says the creative mind and the critical mind “cannot work in parallel” (Line 4, Para. 1) in the writing process, he means _.A) no one can be both creative and criticalB) they cannot be regarded as equally importantC) they are in constant conflict with each otherD) one cannot use them at the same time58. What prevents people from writing on is _.A) putting their ideas in raw formB) attempting to edit as they writeC) ignoring grammatical soundnessD) trying to capture fleeting thoughts59. What is the chief objective of the first stage of writing?A) To organize ones thoughts logically.B) To choose an appropriate topic.C) To get ones ideas down.D) To collect raw materials.60. One common concern of writers about “free writing” is that _.A) it overstresses the role of the creative mindB) it takes too much time to edit afterwardsC) it may bring about too much criticismD) it does not help them to think clearly61. In what way does the critical mind help the writer in the writing process?A) It refines his writing into better shape.B) It helps him to come up with new ideas.C) It saves the writing time available to him.D) It allows him to sit on the side and observe.Passage TwoI dont ever want to talk about being a woman scientist again. There was a time in my life when people asked constantly for stories about what its like to work in a field dominated by men. I was never very good at telling those stories because truthfully I never found them interesting. What I do find interesting is the origin of the universe, the shape of space-time and the nature of black holes.At 19, when I began studying astrophysics, it did not bother me in the least to be the only woman in the classroom. But while earning my Ph.D. at MIT and then as a post-doctor doing space research, the issue started to bother me. My every achievementjobs, research papers, awardswas viewed through the lens of gender (性别) politics. So were my failures. Sometimes, when I was pushed into an argument on left brain versus (相对于) right brain, or nature versus nurture (培育), I would instantly fight fiercely on my behalf and all womankind.Then one day a few years ago, out of my mouth came a sentence that would eventually become my reply to any and all provocations: I dont talk about that anymore. It took me 10 years to get back the confidence I had at 19 and to realize that I didnt want to deal with gender issues. Why should curing sexism be yet another terrible burden on every female scientist? After all, I dont study sociology or political theory.Today I research and teach at Barnard, a womens college in New York City. Recently, someone asked me how may of the 45 students in my class were women. You cannot imagine my satisfaction at being able to answer, 45. I know some of my students worry how they will manage their scientific research and a desire for children. And I dont dismiss those concerns. Still, I dont tell them “war” stories. Instead, I have given them this: the visual of