以下是著作目录。很对不起是英文的。但是不少已经被翻译成中文。有心的年轻朋友可以把它转化为中、英双语。目录分古代、现代两部分。但是有的著作，如美术史十议很难确切纳入某一类型。 巫鸿Publications:Pre-Modern:Books, edited volumes, and catalogues (*single authored books and collection of papers):2010 editor, Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture (Chicago: Art Media Resources, 2010).*2010 author, Art of the Yellow Spring: Rethinking Chinese Tombs (London and Honolulu: Reaktion Books and Hawaii University Press, 2010).*2009 author, Shikong zhong de meishu (Art in time and space)(Beijing: Sanlian, 2009)*2008 author, Meishushi shiyi (Ten discourses on art history), Beijing: Sanlian chubanshe (in Chinese).2006 co-author, Chinese Sculpture. New Haven and Beijing: Yale University Press and China Foreign Languages Press.2005 “Immortal Mountains in Chinese Art,” in Wang Wusheng: Celestial Realm: The Yellow Mountains of China (New York: Abbeville Press, 2005), 17-39.2005 co-editor, Body and Face in Chinese Visual Culture. Cambridge: Mass.: Harvard University East Asian Publication.*2005 author, Liyi zhongde meishu (Art in its ritual context), 2 vols., Beijing: Sanlian shudian.2003 editor, Between Han and Tang: Visual and Material Culture in a Transformative Period. Beijing: Wenwu Publishing House. (Chinese and English).2001 editor, Between Han and Tang: Artistic and Cultural Interactions in a Transformative Period. Beijing: Wenwu Publishing House. (Chinese and English).2000 editor, Between Han and Tang: Religious Art and Archaeology in a Transformative Period, Beijing: Wenwu Publishing House. (Chinese and English)1997 co-author, 3000 Years of Chinese Painting. New Haven and Beijing: Yale University Press and China Foreign Languages Press. A Chinese version of the book, published by the same publishers in 1997, is entitled Zhongguo huihua sanqiannian.*1996 author, The Double Screen: Medium and Representation in Chinese Painting. 2 versions are published by Reaktion Books in London and University of Chicago Press in the U.S.*1995 author, Monumentality in Early Chinese Art and Architecture. Stanford: Stanford University Press.1990 co-author, Chinese Jades from the Mu-Fei Collection. London: Bluett & Sons.*1989 author, The Wu Liang Shrine: The Ideology of Early Chinese Pictorial Art. Stanford: Stanford University Press. Chinese translation: Wu Liang Ci: Zhongguo gudai huaxiang yishu de sixiangxing, trans. Liu Yang and Can He. Beijing: Sanlian shudian, 2006.1987 co-author, Stories from Chinas Past: Han Art from Sichuan. San Francisco: Chinese Cultural Foundation.1982 co-author, Zhongguo gudai duliangheng tulu (An illustrated catalogue of weights and measures from ancient China). Beijing: Wenwu chubanshe.Articles:2010 “Ji: Traces in Chinese Landscape and Landscape Art,” Cahiers dExtreme-Asie 17(2008): 167-192. (This issue is actually published in 2010.)2009 “Enlivening the Soul in Chinese Tombs,” in Res 55/56 (Autumn 2009), special issue on “Absconding,” 21-41.2009 “Rethinking East Asian Tombs: A Methodological Proposal,” ed. Elizabeth Cropper, Dialogues in Art History, from Mesopotamian to Modern (Washington, D. C., Center for Advance Study in the Visual Arts), pp. 139-166.2007 “Picturing or Diagramming the Universe,” in Francesca Bray, Vera Dorofeeva-Lichtmann, and George Mtaili, eds., Graphics and Text in the Production of Technical Knowledge in China (Laden: Brill, 2007), pp.191-216.2006 “Mingqi de lilun he shijian-Zhanguo shiqi liyi meishu zhong de guannianhua qingxiang (The Theory and Practice of “Spirit Vessels” -A Conceptual Tendency in Warring States Ritual Art), Wenwu 2006(6): 72-81.2005 “On Tomb Figurines - The Beginning of a Visual Tradition,” in Wu Hung and Katherine Mino, ed., Body and Face in Chinese Visual Culture.2004 “Huihua de wushiwuzhixing”(“Historical materiality” of painting), Yishushi yanjiu (The Study of Art History), pp. 1-5.2004 “Dunhuang 323 ku yu chu Tang fojiao” (Dunhuang Cave 323 and Early Tang Buddhism),in Sarah Fraser, ed., Tang Song de fojiao yu shehui: Siyuan caifu yu shisu gongyang (Merit, Opulence, and the Buddhist Network of Wealth).2003 “The Admonitions Scroll Revisited: Iconology, Narratology, Style, Dating,” in Shane McCausland, ed., Gu Kaizhi and the Admonitions Scroll. Londong: British Museum Press, 2003, pp. 89-99.2003 “Monumentality of Time: Giant Clocks, the Drum Tower, the Clock Tower,” in Robert S. Nelson and Margaret Olin, eds., Monuments and Memory: Made and Unmade, Chicago: University of Chicago Press, 2003, pp. 107-32.2003 “On Rubbings Their Materiality and Historicity,” in Judith Zeitlin and Lydia Liu, ed., Writing and Materiality in China. Cambridge, Mass.: Harvard University East Asian Publication, pp. 29-72.2002 “What is Dunhuang Art